« Être avec du vide »
L'Amour et les Forêts« Être avec du vide » is the phrase through which Bénédicte’s twin sister describes the paradox of Bénédicte’s final days: her husband is physically present, but his presence offers neither emotional companionship nor consolation. The expression turns proximity into a form of abandonment, and makes the emptiness she feels a constant reminder of the death approaching her.
Meaning and Context
Bénédicte is gravely ill, and her husband remains in her hospital room. Yet the speaker rejects the idea that his staying there means he is truly accompanying her. She calls his conduct abandonment: Bénédicte was not merely alone, but with emptiness. The distinction is decisive. The harm lies not in his absence from the room, but in the absence of feeling within his presence.
The passage sets this judgment against his outward constancy. The speaker describes him as unchanged and emotionally unaffected by Bénédicte’s decline. For Bénédicte, that impassivity makes his physical nearness frightening rather than reassuring: she senses no emotional substance in it, and it recalls the death that awaits her.
The Image of Empty Presence
The phrase gathers several related images into one account of abandonment: a presence that is also an absence, and an irreducible emptiness carried by the person who stands beside her. The contradiction is not decorative. It captures how a person can occupy the intimate space of a dying woman’s room without offering the recognition or comfort that might make that closeness meaningful.
The speaker extends this language of emptiness beyond Bénédicte’s marriage. In her work as a massage therapist, she says she can feel when clients are empty and describes being drained by such encounters, sometimes needing to lie down or go home afterward. This comparison gives the expression a bodily and relational dimension: emptiness is represented not simply as a lack of speech or company, but as something another person seems to transmit, leaving the one who attends them depleted.
Narrative Significance
The expression distinguishes being physically accompanied from being emotionally met. In the account of Bénédicte’s dying, the husband’s continued presence does not undo abandonment; as the speaker sees it, his unchanging demeanor intensifies Bénédicte’s fear by making death present in the room before it arrives. The phrase therefore names both a failure of intimacy and the particular loneliness of facing death beside someone who seems unable to share the emotional reality of that moment.